Gelli Fach

Gelli Fach

I'm a cell, I'm fragmented, I change my form;
I'm a repository of song, I'm a dynamic state.
I love a wooded slope and a snug shelter,
and a creative poet who doesn't buy his advancement.

Wyf kell, wyf dellt, wyf datweirllet;
wyf llogell kerd, wyf lle ynnyet.
Karaf-y gorwyd a goreil clyt,
a bard a bryt ny pryn y ret.


From: Legendary Poems from the Book of Taliesin, edited and translated by Marged Haycock





Showing posts with label dazlious. Show all posts
Showing posts with label dazlious. Show all posts

Tuesday, 30 March 2010

Dazlious


I like the word ‘dazlious’ invented by the character, Linda, in the film Snow Cake (see my last blog post). The Urban Dictionary defines ‘dazlious’ as “an exclamation of beauty and awe” and gives a transcript of Linda’s story which puts the word in context:

"Mr Fantastic from the Fantastic Four, he's got arms made of elastic so they can stretch for two, maybe three hundred miles.
He's been imprisoned in a cave for seven days with no food and no water and no light. But on the 8th day he manages to loosen a rock and push his way up through the top and up into the daylight. Just as the sun is coming up over the mountains and filling the sky with this white-yellow light. And there's this stillness, and in the few minutes he's got before his captor, the evil Dr. Doom returns, he stops for just one second. And all he can hear is his own breathing. But he's totally overwhelmed by how big the world is, how small and unimportant he is. And as he turns around you see his face look to the sky and he says very quietly, so that no one can hear him, he says 'Dazlious.'"

I am one of those ‘charmed by cute contrivances like “dezlious” [sic]’ as one critic in the New York Times puts it. Dazlious is a word I have a use for; I seem to find the world increasingly dazlious. When I do, I want to express it and I have a few stand-by lines from various poems that sneak into my mind. If, for instance, the night is full of stars with a bright moon half-hidden by clouds yet illuminating them, I always think of Keats’ lines: “When I behold, upon the night's starr'd face / Huge cloudy symbols of a high romance” and I say them to myself -- it helps for some reason to express my feelings of awe at the beauty and mystery of the night.

At other times, perhaps coming out of the house into a glorious Spring day, early in the morning when the world seems young and fresh, I find Wordsworth’s lines on the French Revolution on the tip of my tongue: “Bliss was it in that dawn to be alive/ But to be young was very heaven!” At other times, on a day which just seems full of wonder and possibility I might wave my arms around a bit and recite “ O frabjous day! Callooh! Callay! he chortled in his joy” -- although obviously not when there are people around.


So 'dazlious' is a word I've added to this little repertoire. I think we can say a bit more about it than that it’s an exclamation of beauty and awe. To begin with it’s an adjective. It has the adjectival ending “-ous” which gives the meaning “abounding in, characterised by, of the nature of”. Its root is fairly obviously ‘dazzle’ meaning “to blind temporarily or confuse the sight of by overpowering brightness, tempt or delude or startle by brilliant display or prospect”. So we could say it has the meaning ‘an abundance of being dazzled’. However if we simply added ‘–ous’ to ‘dazzle’ we’d be most likely to get ‘dazzlous’ -- dazz-lus, which sounds very lacklustre, the stress is too even and uninspiring. But with ‘dazlious’, just the addition of the ‘i’, giving the sound i: as in ‘deep’, transforms it into a much more delicious word. It makes us linger over the ‘daz’, stressing it, elongating the word and our experience of it: daz-lee-us. The sound itself is uplifting.



One day last week, having been hunched over the laptop for hours, I decided to go out for a walk. The sun had started to go down behind the hill and there was a hint of frost in the air. As I set off, zipping my coat against the cold, a flock of geese suddenly flew over, heading towards the coast. Because the sun was low in the sky it shone brightly onto their white underparts and as they beat their wings the shafts of light were broken, causing a rhythmic flashing as the geese moved soundlessly across the sky above me. I watched, entranced, until they disappeared into the west. Then, standing in the middle of the lane, my head still turned to the sky, I said, very quietly so that no-one could hear me, “Dazlious!”

Wednesday, 24 March 2010

Snow Cake









Snow Cake is one of my favourite films. Not because it has a Welsh director, Marc Evans, or music from Welsh bands Stereophonics and Super Furry Animals or even because Sigourney Weaver and Alan Rickman are in it... although these things certainly contribute.

It’s a drama focused on the friendship between a high-functioning autistic woman, Linda, (Sigourney Weaver) and a man, Alex, (Alan Rickman) who is traumatized after a fatal car accident. I came across it on television one evening and was intrigued by it. Unlike the usual Hollywood films which have fairly predictable patterns of narrative, I didn’t know what this film was going to be about, where it was going, what would happen. The people in it seem as if they could be real people, unlike the polished and air-brushed version of people you habitually see at the cinema. And there was a lot of silence, meaning I had time to observe.

Apart from this, Snow Cake portrays, to some extent at least, the concept that we are all differently-abled. At times the able-bodied/minded characters are completely disabled by their emotions. Linda finds it difficult to form relationships with people but so does her neighbour Maggie. The story suggests that we all have handicaps of one sort or another. Ideally by helping each other we can learn from our differences and enjoy things about each other – but the film doesn’t sentimentalise this or make it look easy. The script was written by Angela Pell who has an autistic child herself.

I love Linda’s invention of ‘Comic Book Scrabble’. In this version of the game the players are allowed to make up words using their available letters. The catch is that they then have to use the word in a story or sentence relating to a Comic Book character.





I’d like to try it out. As well as being fun, I think it would be instructive to play with words and intuit meaning from the way they sound, to employ that part of the brain that makes up stories.

The film finishes on an uplifting note but you know that isn’t the end of it. I think it shows us something about how life is. As Paul Gallico puts it in 'The Lonely':

“For you could be a man [or woman] only when you could be the things you were and face up to the truth without flinching and denying it. And the truth was that in life on earth there was no such thing as happiness without pain, victory without defeat. There was joy and enchantment and beauty to be garnered on the path, but at all times too, there were burdens to be born.”

All the characters, in the parallel universe that fictional characters must surely inhabit, will still have burdens to carry, but they have all garnered some joy and enchantment and beauty along the way and hopefully will continue to do so.

Oh, did I mention it's also funny?